Bio

Elisha Lovett is a Dallas–Fort Worth–based actress originally from Jasper, Texas. She is a two-time Irene Ryan Acting Scholarship nominee through the Kennedy Center American College Theater Festival, recognizing excellence in collegiate performance and craft. She is currently signed with The Blanco Agency under agent Lydia Blanco Garza.

Elisha has trained through multiple professional programs, including Tal Lostracco’s Summer Intensive (twice), where she worked under Craig Hertel and Rod Sheffield, as well as ongoing study with Mark Craig at the Fighting Actor’s Studio and Willie Mellina at the Fort Worth Actor’s Studio. Her academic background includes Liberal Arts with an emphasis in Acting under Greg Wise and Jean Daniels, along with competitive UIL Prose and Poetry training under Abe Ramirez.

Her stage credits include a two-person, 80-minute production at Blinn College directed by Jean Daniels; multiple performances in Gateway Performing Arts’ Night of Scenes under Marianna Flamenco Lugo and J. Scott Gage; and two consecutive years in Capernaum Studios’ immersive production The Crimson, portraying Veronica and later Mary Magdalene. She received Best Actress honors for her portrayal of Sybil in The Cover of Life, directed by Lee Harrison.

On camera, Elisha has appeared in music videos for JOURNEYGLO and Tubi Music, served as principal talent in a Firehouse Subs commercial produced by The Richards Group and a Nothing tech spec ad directed by Peter Evans, and booked a supporting role in the Lone Star Film Festival bumper The Real Heroes. She has also appeared in numerous independent short films and proof-of-concept projects, portrayed Rita in a Nelson University production directed by Kabella Hendrix, and currently holds recurring roles on The So & So Show (two roles) and The Wonder Show, produced by Orange from the Amazing Life Foundation.

Elisha has also worked as a host, co-hosting the You Gotta Believe red carpet premiere with ReelNewz, interviewing talent including Luke Wilson and Greg Kinnear.

Her crew experience includes work in the art department, stylist assisting, and production assistant roles across independent film, commercial, and branded content productions — reinforcing a holistic understanding of storytelling both on and off camera.

Her work is grounded in disciplined training, emotional authenticity, and a deep commitment to meaningful storytelling, community collaboration, and long-term creative stewardship.